{"id":723,"date":"2016-02-24T13:05:54","date_gmt":"2016-02-24T13:05:54","guid":{"rendered":"http:\/\/www.bjanda.com\/blog\/?p=723"},"modified":"2016-02-24T13:05:54","modified_gmt":"2016-02-24T13:05:54","slug":"programming-and-airtime-deals","status":"publish","type":"post","link":"https:\/\/www.bjanda.com\/blog\/programming-and-airtime-deals\/","title":{"rendered":"Programming and Airtime Deals"},"content":{"rendered":"<p><span style=\"color: #000000; font-family: Calibri;\">First up this week \u2013 a need to set the record straight. <\/span><a href=\"http:\/\/www.bjanda.com\/blog\/groupms-channel-4-deal\/\"><span style=\"color: #0000ff; font-family: Calibri;\">A couple of weeks ago<\/span><\/a><span style=\"color: #000000; font-family: Calibri;\"> I was critical of \u2018Campaign\u2019 over its (lack of) reporting of the implications around programme content being included in a deal between GroupM and Channel4. I wrote that \u2018Campaign\u2019 should have investigated further. Well, now they have, and so credit is due to <\/span><a href=\"http:\/\/www.brandrepublic.com\/article\/tv-trading-deals-microscope\/1383908\"><span style=\"color: #0000ff; font-family: Calibri;\">Gideon Spanier<\/span><\/a><span style=\"color: #000000; font-family: Calibri;\"> and to \u2018Campaign\u2019 for doing so.<\/span><!--more--><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">That said the issue of linking airtime sales\/buys with programme sales\/buys rumbles on and has I fear many a rumble to go. <\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">As the <\/span><a href=\"http:\/\/www.brandrepublic.com\/article\/tv-trading-deals-microscope\/1383908\"><span style=\"color: #0000ff; font-family: Calibri;\">\u2018Campaign\u2019<\/span><\/a><span style=\"color: #000000; font-family: Calibri;\"> story details, John Billett, a veteran media man (even more veteran than me and that\u2019s saying something) and the Chairman of ID Comms, a media consultancy business that advises its clients on the efficacy of their media activities has written to the new Chairman of Channel4 with his concerns.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Setting aside for a moment the inevitable cries of \u2018well he would say that wouldn\u2019t he, given the nature of the business he chairs\u2019, John\u2019s fundamental concerns seem to me well-founded and to go far beyond the narrow confines of whether or not a consultancy or indeed an auditor has access to the inner workings of the airtime market-place.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The underlying question is: is it acceptable to blur the lines between editorial independence and commercial pressures?<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">None of us on the outside can know the details of the commercial arrangement between any agency and any broadcaster; so what follows is about the principle rather than the specific. Whether Channel4 and GroupM (or any agency group; most of the large groups are involved in programme barter in one form or another) happen in this particular instance to be blurring this line is altogether a different question.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">It\u2019s the opportunity to do so that is a concern.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">For many years advertisers have sought to influence the media. To take a (presumably fictional) example even the current ITV drama \u2018Mr Selfridge\u2019 has the eponymous Harry Selfridge threatening a press owner with a withdrawal of advertising unless the owner\u2019s papers stop giving him a hard time editorially. <\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">I was rather hoping for ironic neatness that \u2018Mr Selfridge\u2019 would turn out to be a GME production, but sadly it seems not to be.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">There is nothing new in the pressure between commercial needs and editorial freedom, <\/span><a href=\"http:\/\/www.moreaboutadvertising.com\/2015\/02\/obornetelegraph-row-shows-why-brand-owners-shouldnt-touch-the-news-agenda-with-a-bargepole\/\"><span style=\"color: #0000ff; font-family: Calibri;\">as a recent row<\/span><\/a><span style=\"color: #000000; font-family: Calibri;\"> at \u2018The Telegraph\u2019 indicates. Indeed <\/span><a href=\"http:\/\/www.bjanda.com\/blog\/mail-and-farewell\/\"><span style=\"color: #0000ff; font-family: Calibri;\">the Cog Blog<\/span><\/a><span style=\"color: #000000; font-family: Calibri;\"> has made this point before.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">It\u2019s important that the line between editorial freedom and commercial pressures survives. Yes, of course there were soap operas in the USA with Procter and Gamble making radio dramas, but they were transparent \u2013 everyone knew who was paying for them.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Same with product placement in movies \u2013 James Bond has to smash up several cars per film, if Aston Martin or whoever wants to provide the cars (and be duly acknowledged as having done so in the credits) then what\u2019s wrong with that?<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">It\u2019s about being clear and transparent.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Where things start to go wrong is when or if the advertiser starts to seek a degree of \u2018undue influence\u2019 over what\u2019s broadcast. <\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Or when the advertiser connives with the media owner\u2019s commercial teams to mislead the reader or viewer.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">So back to the rumoured deal between Channel4 and GroupM. As I\u2019ve said none of myself, (I suspect) John Billett and \u2018Campaign\u2019 know the details of this particular deal. Both parties say they\u2019re operating by the rules, so we have to accept that. It\u2019s the opportunity for pressure to be exerted that\u2019s dangerous.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Once you have an organisation selling shows, or financing shows to be sold to the same broadcaster from whom that same organisation is buying airtime then there\u2019s danger lurking.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Is this old-fogey-style thinking? Am I wistfully trying to \u2018wind the clock back 30 years\u2019 (to quote someone in the \u2018Campaign\u2019 piece)? I don\u2019t think so. This is about upholding the principle that advertising and editorial matters should be separated.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Why is this important in a digital age when we\u2019re all content providers, social media, digital freedoms blah, blah, blah?<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Setting aside lofty concerns over freedom of expression and the wish not to have large commercial organisations covertly influencing what we see and read, there is the matter of the audience.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Audiences are not dumb. Once the line separating independently produced content from paid-for influence starts to blur and weaken, so audiences\u2019 cynicism will increase. Which will lead to them assuming undue influence where maybe there is none.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Ultimately this is not a good thing for the publisher, nor for the advertiser. It\u2019s why brands need to step very carefully when it comes to native advertising and to listen to those with no interest in selling them the latest shiny bauble.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">To say it again, clarity and transparency is crucial. <\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">One quote from GroupM in \u2018Campaign\u2019 caught my eye: \u201cGME (GroupM Entertainment) operates as an independent business, separate from GroupM\u2019s media agency businesses\u201d.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">I\u2019m sure that\u2019s true but that\u2019s not to say that GME deals can\u2019t in some way influence GroupM\u2019s airtime deals which most certainly feed through to the media agencies.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">If WPP really wanted GME to operate independently from the rest of GroupM, then why put it in GroupM? <\/span><span style=\"color: #000000; font-family: Calibri;\">It would have been perfectly simple to establish a programme finance business within WPP that had no organisational relationship with GroupM.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Putting programme finance in to the same mini-holding company as airtime negotiations is bound to arouse suspicion and to prepare the way for one or two misguided individuals to have the opportunity to operate on the basis of what\u2019s best for the buyer in the short term, as opposed to what\u2019s best for the advertiser whose money they are, after all spending.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">It\u2019s a dilemma which might sound familiar to planners in some of the large holding company-owned agencies.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First up this week \u2013 a need to set the record straight. A couple of weeks ago I was critical of \u2018Campaign\u2019 over its (lack of) reporting of the implications around programme content being included in a deal between GroupM and Channel4. I wrote that \u2018Campaign\u2019 should have investigated further. Well, now they have, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/posts\/723"}],"collection":[{"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":1,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/posts\/723\/revisions"}],"predecessor-version":[{"id":724,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/posts\/723\/revisions\/724"}],"wp:attachment":[{"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/media?parent=723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/categories?post=723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bjanda.com\/blog\/wp-json\/wp\/v2\/tags?post=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}